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  • DISAPPEAR

    • 26 Feb 2011
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    • Camille Utterback ENG Embodied presence Ian Ferrier Pharmakon Poetry Technology pk langshaw
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    Disappear (see credits below)

     

    By Carlos A. Inada
    From São Paulo
    Via Art Threat

    Disappear is a collaboration between media artist pk langshaw, the band Pharmakon, poet Ian Ferrier, and others (see credits at the end of the video). The dancers use sensors that connect movement and background and reminded me of Camille Utterback’s work (see video below) and its exploration of technology and its ability to give presence to a body; all music is improvised, adding to this present tense framework.

    Interviewed by Art Threat, Ian Ferrier explains some of his influences:

    “Disappear” reflects on the fact that the core of all things that you hold on to can be taken away by circumstance, by the state, by your own psyche […]. In writing the poem I was also thinking about all those who disappeared in South America and all those who died in the war in Iraq, in Afghanistan — how so many peoples lives were stolen.

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  • SCIENCE AND THE ACTOR

    • 1 Dec 2010
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    • Body awareness ENG Embodied presence Lee Worley Mudra Space Awareness Science
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    _mg_3424

    Photo: Nina Maria Mudita

     

    By Carlos A. Inada
    From São Paulo

    What’s a body? What’s embodiment? How does “awareness of body” affect the way we act and interact with others?

    Actress, director and teacher Lee Worley, discussing the theater legacy of Buddhist teacher Chögyam Trungpa, writes:

    The Mudra exercises challenge our cherished assumption that we understand the phrase “awareness of body.” We think we have a fairly good awareness of our body most of the time. However, we fall apart in performance or high-stress situations due to our lack of awareness. Our panic hurls us upward into a thinking realm where we dizzily try to come up with ideas of “what to do next.” Our first lesson in Mudra work is to discover how much of the time whatever body awareness we think we have is merely that: thinking about the body.

    I’ve recently found a thought-provoking lecture with Rhonda Blair, also actress, director, and teacher from the Southern Methodist University in Texas, discussing imagination, embodiment, perception, and philosophy, and their relevance to the art of acting, in an interdisciplinary approach based on findings from cognitive science and neuroscience. She says: “Cognitive sciences, deep rooted in Darwin’s biology, are shifting our understanding of self, imagination, memory and action.”

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